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<channel>
	<title>rae ⊙</title>
	<link>https://atakpa.cargo.site</link>
	<description>rae ⊙</description>
	<pubDate>Mon, 17 Apr 2023 23:23:24 +0000</pubDate>
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	<item>
		<title>writing</title>
				
		<link>https://atakpa.cargo.site/writing-1</link>

		<pubDate>Mon, 17 Apr 2023 23:23:24 +0000</pubDate>

		<dc:creator>rae ⊙</dc:creator>

		<guid isPermaLink="true">https://atakpa.cargo.site/writing-1</guid>

		<description>
&#60;img width="2006" height="1502" width_o="2006" height_o="1502" data-src="https://freight.cargo.site/t/original/i/19641b713bb754319408df7741101019e227b3ac9c4ed37b7d25e8cdf72a0bd3/Screenshot-2025-05-18-at-7.44.53PM.png" data-mid="233371074" border="0"  src="https://freight.cargo.site/w/1000/i/19641b713bb754319408df7741101019e227b3ac9c4ed37b7d25e8cdf72a0bd3/Screenshot-2025-05-18-at-7.44.53PM.png" /&#62;
&#60;img width="1125" height="2014" width_o="1125" height_o="2014" data-src="https://freight.cargo.site/t/original/i/fd8c795428c33ba51efaf8e1f51a35278effa5cd33ec3e9ac512c6e1c7a8ce49/IMG_3818.jpg" data-mid="229229903" border="0"  src="https://freight.cargo.site/w/1000/i/fd8c795428c33ba51efaf8e1f51a35278effa5cd33ec3e9ac512c6e1c7a8ce49/IMG_3818.jpg" /&#62;


2025
︎ Tallgrass Artist Residency&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; — &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;photo series&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; / &#38;nbsp; &#38;nbsp; poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “A Point in Time” &#38;nbsp; &#38;nbsp; / &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Cranks”
︎&#38;nbsp;“The Kansas town that’s become a mecca for
 contemporary art”&#38;nbsp;(The Journal, Kansas Leadership Center)
&#38;nbsp;
 &#38;nbsp; 
︎ t’ART Press&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “along a desire path”&#38;nbsp;


︎ 
Honey Literary&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; one essay&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “A Recipe! Archive Work.”

︎ Unearthing Anthology&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “To Unworld”



&#60;img width="950" height="1330" width_o="950" height_o="1330" data-src="https://freight.cargo.site/t/original/i/24e546031574acdbfb4e91fa99f656dc639ec95ce652b8156209458b9c7cb828/Screenshot-2024-04-26-at-1.18.57PM.png" data-mid="209820338" border="0"  src="https://freight.cargo.site/w/950/i/24e546031574acdbfb4e91fa99f656dc639ec95ce652b8156209458b9c7cb828/Screenshot-2024-04-26-at-1.18.57PM.png" /&#62;
&#60;img width="1560" height="1611" width_o="1560" height_o="1611" data-src="https://freight.cargo.site/t/original/i/58351628a625d299c76fa5a20eba57e3d473c3bb415a0df14cce3f6df04e35fe/IMG_9325.jpg" data-mid="209821005" border="0"  src="https://freight.cargo.site/w/1000/i/58351628a625d299c76fa5a20eba57e3d473c3bb415a0df14cce3f6df04e35fe/IMG_9325.jpg" /&#62;
&#60;img width="992" height="1462" width_o="992" height_o="1462" data-src="https://freight.cargo.site/t/original/i/39ec8553138a1ea8f53d68e9700a43a4e5f301cb48ca4857a9e2bacce4d1e8a3/Screenshot-2024-04-26-at-1.19.17PM.png" data-mid="209820341" border="0"  src="https://freight.cargo.site/w/992/i/39ec8553138a1ea8f53d68e9700a43a4e5f301cb48ca4857a9e2bacce4d1e8a3/Screenshot-2024-04-26-at-1.19.17PM.png" /&#62;
2024
︎ Poetry Society of America&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Audre Lorde introduces me to political warfare”*


︎ Forest Publishing
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Origin Stories: An Anthology of Beginnings&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one act play&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “before breaking my mother’s womb”
︎ Catalogue of Failures

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Issue 4&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems—&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “bottleneck”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;“development”︎ A Nation in Exile&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Heartwood Narratives&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two essays, one poem &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp;  “Necropolitical compost rite”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Agricultural Poetics II: In the Belly”
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “delta”*&#38;nbsp;︎ MdW Fair&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Atlas 2022, print release&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one essay &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Agricultural Poetics: Practices for&#38;nbsp;&#38;nbsp; &#38;nbsp; Transformation”


&#60;img width="1125" height="1115" width_o="1125" height_o="1115" data-src="https://freight.cargo.site/t/original/i/452a65fbf9b96d29195bad76f7404ba9522a9d1b819e3deb91a07375c0b2bc56/IMG_1291.jpg" data-mid="176926122" border="0"  src="https://freight.cargo.site/w/1000/i/452a65fbf9b96d29195bad76f7404ba9522a9d1b819e3deb91a07375c0b2bc56/IMG_1291.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/933a530cb481604ae30d35f66536f3643ebb3abafb1cca7e81cd439b785917b6/quiltexhib.jpg" data-mid="190312135" border="0"  src="https://freight.cargo.site/w/1000/i/933a530cb481604ae30d35f66536f3643ebb3abafb1cca7e81cd439b785917b6/quiltexhib.jpg" /&#62;
&#60;img width="1034" height="1332" width_o="1034" height_o="1332" data-src="https://freight.cargo.site/t/original/i/393e32911be6e4e56d55d4f37080a717ab5372a5e6424a3a1a9cb9dcef8c6760/Screen-Shot-2023-04-27-at-12.43.40-PM.png" data-mid="176926116" border="0"  src="https://freight.cargo.site/w/1000/i/393e32911be6e4e56d55d4f37080a717ab5372a5e6424a3a1a9cb9dcef8c6760/Screen-Shot-2023-04-27-at-12.43.40-PM.png" /&#62;
&#60;img width="1036" height="1478" width_o="1036" height_o="1478" data-src="https://freight.cargo.site/t/original/i/74d844979bd088ccbeb69c6a5c39bfbe4ca9ab0857120c54ae07d4864d65ecb1/new-territory.png" data-mid="188724786" border="0"  src="https://freight.cargo.site/w/1000/i/74d844979bd088ccbeb69c6a5c39bfbe4ca9ab0857120c54ae07d4864d65ecb1/new-territory.png" /&#62;

2023
︎ Lawrence Arts Center&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Zinn Writing Residency&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Pedagogy, installation, essay
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Ephemeral Ecologies

︎ The Purposeful Mayonnaise&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Vol. 2 Issue 5 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “i picture picnics”*&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “i burn green” *
 
︎ WMN Zine&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 5&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “dyke like”
︎&#38;nbsp;The New Territory Magazine&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 14
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; one review &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Friendly Folk at the Oddball Hoedown Contra Dance”︎&#38;nbsp;fifth wheel press&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dreamland anthology&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“Flexible Image Transport System”*

&#60;img width="1125" height="1130" width_o="1125" height_o="1130" data-src="https://freight.cargo.site/t/original/i/3c259f46f3817c08547468126ec28cf9e6bcc12ba20a3dc40e77fc8434501ee3/IMG_1048.jpg" data-mid="176924514" border="0"  src="https://freight.cargo.site/w/1000/i/3c259f46f3817c08547468126ec28cf9e6bcc12ba20a3dc40e77fc8434501ee3/IMG_1048.jpg" /&#62;
&#60;img width="1125" height="1401" width_o="1125" height_o="1401" data-src="https://freight.cargo.site/t/original/i/7dd850c66e713b5371072fb3722135a713e817d2150d7e57b7f964b06ed840b3/IMG_1290.jpg" data-mid="176924642" border="0"  src="https://freight.cargo.site/w/1000/i/7dd850c66e713b5371072fb3722135a713e817d2150d7e57b7f964b06ed840b3/IMG_1290.jpg" /&#62;
&#60;img width="718" height="870" width_o="718" height_o="870" data-src="https://freight.cargo.site/t/original/i/476205bf9f7630a8118517e76239f1b4e52a417a7550840f568a8877e7020f0b/Screen-Shot-2023-04-17-at-7.44.13-PM.png" data-mid="176924679" border="0"  src="https://freight.cargo.site/w/718/i/476205bf9f7630a8118517e76239f1b4e52a417a7550840f568a8877e7020f0b/Screen-Shot-2023-04-17-at-7.44.13-PM.png" /&#62;
&#60;img width="768" height="1330" width_o="768" height_o="1330" data-src="https://freight.cargo.site/t/original/i/b16e2b6bd1557fa33e3b865d8b6505238a9a3c783caa3739deb63ccb67415554/Screen-Shot-2023-04-17-at-7.43.23-PM.png" data-mid="176924681" border="0"  src="https://freight.cargo.site/w/768/i/b16e2b6bd1557fa33e3b865d8b6505238a9a3c783caa3739deb63ccb67415554/Screen-Shot-2023-04-17-at-7.43.23-PM.png" /&#62;

2022
︎ Impermanent Earth&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 4&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “in colonized terms”*
︎ The Gravity of the Thing&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Stranged Writing: A Literary Taxonomy ^&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “first kiss”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “mirror” *
︎ MdW Fair&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Atlas&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one essay &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Agricultural Poetics: Practices for Transformation”



&#60;img width="1125" height="1407" width_o="1125" height_o="1407" data-src="https://freight.cargo.site/t/original/i/fb52bebd73ad42a59711c43b469f7296fb7fef15878f52e1bc88546130a7ca7b/IMG_1049.jpg" data-mid="176924599" border="0"  src="https://freight.cargo.site/w/1000/i/fb52bebd73ad42a59711c43b469f7296fb7fef15878f52e1bc88546130a7ca7b/IMG_1049.jpg" /&#62;
&#60;img width="1250" height="1202" width_o="1250" height_o="1202" data-src="https://freight.cargo.site/t/original/i/053dc02beda64aec6c25128964ffc72c1bdeae34eaef839d65449c7348fd3947/Screen-Shot-2023-04-17-at-6.39.26-PM.png" data-mid="176924772" border="0"  src="https://freight.cargo.site/w/1000/i/053dc02beda64aec6c25128964ffc72c1bdeae34eaef839d65449c7348fd3947/Screen-Shot-2023-04-17-at-6.39.26-PM.png" /&#62;

2021
︎ Contemporary Verse 2&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Vol. 44 No. 1&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “as oceans rise, so ancestors beneath”* &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “seeping subsumption”

︎&#38;nbsp;Lesbians are Miracles&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 8&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem—&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “15 hours”*
︎&#38;nbsp;FAYD [FLORESTA]
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Issue 2&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “schism”*


&#60;img width="1125" height="1117" width_o="1125" height_o="1117" data-src="https://freight.cargo.site/t/original/i/46ff144af73feb2eebd3aebb6cf98d7905caecd139837be77c7a1a3f52cfb827/IMG_1046.jpg" data-mid="176924507" border="0"  src="https://freight.cargo.site/w/1000/i/46ff144af73feb2eebd3aebb6cf98d7905caecd139837be77c7a1a3f52cfb827/IMG_1046.jpg" /&#62;
&#60;img width="1125" height="1120" width_o="1125" height_o="1120" data-src="https://freight.cargo.site/t/original/i/0092812dfe45ad0e3bbb610cda3fc94bd3cfd2930accb7546db2f52de5c94e6b/IMG_1047.jpg" data-mid="176924511" border="0"  src="https://freight.cargo.site/w/1000/i/0092812dfe45ad0e3bbb610cda3fc94bd3cfd2930accb7546db2f52de5c94e6b/IMG_1047.jpg" /&#62;


2020
︎ Spicy Zine&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 2&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “generation”*
︎&#38;nbsp;Snarl: A Journal of Art and Literature &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 1&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “taking out the garbage”*&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “mania”


&#60;img width="1125" height="1117" width_o="1125" height_o="1117" data-src="https://freight.cargo.site/t/original/i/ae8a16cf3cf79a8b4b212ef6680064474c95af1d3794adae1020d8507c7f7ef7/IMG_1043.jpg" data-mid="175705496" border="0"  src="https://freight.cargo.site/w/1000/i/ae8a16cf3cf79a8b4b212ef6680064474c95af1d3794adae1020d8507c7f7ef7/IMG_1043.jpg" /&#62;
&#60;img width="2394" height="1688" width_o="2394" height_o="1688" data-src="https://freight.cargo.site/t/original/i/b5a83a9d932dfc5d394632d4088edbd726653eb87539cae2fdb853288becb7ba/Screen-Shot-2023-04-27-at-12.06.57-PM.png" data-mid="176922517" border="0"  src="https://freight.cargo.site/w/1000/i/b5a83a9d932dfc5d394632d4088edbd726653eb87539cae2fdb853288becb7ba/Screen-Shot-2023-04-27-at-12.06.57-PM.png" /&#62;
&#60;img width="2782" height="1730" width_o="2782" height_o="1730" data-src="https://freight.cargo.site/t/original/i/0845a2ad83d2279dea4006549bcf645443bcf771529535255147f68e96fa93f5/Screen-Shot-2023-04-27-at-12.05.54-PM.png" data-mid="176922524" border="0"  src="https://freight.cargo.site/w/1000/i/0845a2ad83d2279dea4006549bcf645443bcf771529535255147f68e96fa93f5/Screen-Shot-2023-04-27-at-12.05.54-PM.png" /&#62;
&#60;img width="2452" height="1686" width_o="2452" height_o="1686" data-src="https://freight.cargo.site/t/original/i/ff360706371caa8c1e93c0aef3d059fb606f7551cde382b9559a3e70bb9ada6d/Screen-Shot-2023-04-27-at-12.06.45-PM.png" data-mid="176922520" border="0"  src="https://freight.cargo.site/w/1000/i/ff360706371caa8c1e93c0aef3d059fb606f7551cde382b9559a3e70bb9ada6d/Screen-Shot-2023-04-27-at-12.06.45-PM.png" /&#62;


2019
︎ Region Journal&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
 Issue 1&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“unearthing”

︎ Queer.Archive.Work&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Urgency Reader, 110 copies&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem, one journal entry&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “glitch”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “a burning”



&#60;img width="2469" height="1572" width_o="2469" height_o="1572" data-src="https://freight.cargo.site/t/original/i/59375eca1b93e05b30539449cd46538879d08013744780efecea1e8cbfccc6ba/59.jpg" data-mid="175705486" border="0"  src="https://freight.cargo.site/w/1000/i/59375eca1b93e05b30539449cd46538879d08013744780efecea1e8cbfccc6ba/59.jpg" /&#62;
&#60;img width="958" height="1358" width_o="958" height_o="1358" data-src="https://freight.cargo.site/t/original/i/0128ff73dc752d98a82f4474eed7d8dc5e9cc94217dcca34557a18033cbe1b15/wgfc.jpg" data-mid="175705492" border="0"  src="https://freight.cargo.site/w/958/i/0128ff73dc752d98a82f4474eed7d8dc5e9cc94217dcca34557a18033cbe1b15/wgfc.jpg" /&#62;
&#60;img width="1054" height="1372" width_o="1054" height_o="1372" data-src="https://freight.cargo.site/t/original/i/b02c340147443f79d36f9b24233d8ac969fb6a9b81e92b5f52cc6f9ddbcd2c1c/jlf.jpg" data-mid="175705495" border="0"  src="https://freight.cargo.site/w/1000/i/b02c340147443f79d36f9b24233d8ac969fb6a9b81e92b5f52cc6f9ddbcd2c1c/jlf.jpg" /&#62;
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&#60;img width="1054" height="1372" width_o="1054" height_o="1372" data-src="https://freight.cargo.site/t/original/i/b02c340147443f79d36f9b24233d8ac969fb6a9b81e92b5f52cc6f9ddbcd2c1c/jlf.jpg" data-mid="175705495" border="0"  src="https://freight.cargo.site/w/1000/i/b02c340147443f79d36f9b24233d8ac969fb6a9b81e92b5f52cc6f9ddbcd2c1c/jlf.jpg" /&#62;
&#60;img width="816" height="1080" width_o="816" height_o="1080" data-src="https://freight.cargo.site/t/original/i/60be9bb445667e3274a583a00bfa416332fd89ada6f6561513182740177f43cc/cdavis-interview.jpg" data-mid="175705489" border="0"  src="https://freight.cargo.site/w/816/i/60be9bb445667e3274a583a00bfa416332fd89ada6f6561513182740177f43cc/cdavis-interview.jpg" /&#62;
&#60;img width="1070" height="1400" width_o="1070" height_o="1400" data-src="https://freight.cargo.site/t/original/i/30c903b1209b426ec2680e2fa5a89637cdcd18f10a3a9b113a7121309f0f83a9/bggs2.jpg" data-mid="175705488" border="0"  src="https://freight.cargo.site/w/1000/i/30c903b1209b426ec2680e2fa5a89637cdcd18f10a3a9b113a7121309f0f83a9/bggs2.jpg" /&#62;
&#60;img width="772" height="1160" width_o="772" height_o="1160" data-src="https://freight.cargo.site/t/original/i/8065b26ebedd53cd33cf2b48103fc25b6a29530fc2ec7f107d06a0a283b615b4/bggs-3.jpg" data-mid="175705487" border="0"  src="https://freight.cargo.site/w/772/i/8065b26ebedd53cd33cf2b48103fc25b6a29530fc2ec7f107d06a0a283b615b4/bggs-3.jpg" /&#62;
&#60;img width="920" height="1184" width_o="920" height_o="1184" data-src="https://freight.cargo.site/t/original/i/d127fa7266493f56c03b5d5a62563da91dfc29b598cdd33e0e3b9e7a559bbe53/mother-tongue.jpg" data-mid="175705491" border="0"  src="https://freight.cargo.site/w/920/i/d127fa7266493f56c03b5d5a62563da91dfc29b598cdd33e0e3b9e7a559bbe53/mother-tongue.jpg" /&#62;


2018
︎ Women, Gender, and Families of Color&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Vol. 6 No. 1&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Grieving”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Black Girl Ghost Story no. 4”
︎ Berkely Poetry Review&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 48&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Black Girl Ghost Story no. 3”︎
Asterism Literary Journal&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Volume 2&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
three poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Locating”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Mother Tongue”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Black Girl Ghost Story no. 2”
︎&#38;nbsp;Spencer Museum of Art&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Jack and Lavon&#38;nbsp;Brosseau Creativity Award&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“Their Eyes Were Watching”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Psalm 73”
︎ Humanity in Action&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
John Lewis Fellowship&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one essay &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “The Trees on the Mountaintop are from Outer Space”
︎ The University of Kansas&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; English Accents&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one interview&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Charlotte Davis and Black Women’s Self-Empowerment &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Through Writing and Literature”
︎ Kiosk &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Issue 58&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;one poem
 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Black Girl Ghost Story no. 09 + Teenage Love Poem no. 3”



&#60;img width="792" height="1070" width_o="792" height_o="1070" data-src="https://freight.cargo.site/t/original/i/66a806c28ef92476c4104657073b1532f9fdf4bac05305d5508b5f7a9aeb0503/thames.png" data-mid="175705480" border="0"  src="https://freight.cargo.site/w/792/i/66a806c28ef92476c4104657073b1532f9fdf4bac05305d5508b5f7a9aeb0503/thames.png" /&#62;
&#60;img width="768" height="1064" width_o="768" height_o="1064" data-src="https://freight.cargo.site/t/original/i/088cba18872e4630a40bd8507abbabd84e5496578666c48a8e12520073cf9f0f/wolkenbugel.png" data-mid="175705481" border="0"  src="https://freight.cargo.site/w/768/i/088cba18872e4630a40bd8507abbabd84e5496578666c48a8e12520073cf9f0f/wolkenbugel.png" /&#62;
&#60;img width="796" height="1068" width_o="796" height_o="1068" data-src="https://freight.cargo.site/t/original/i/4f2647655c22cd3e3bb72f58e5ee57f680c2a180d4a76e33042f1957650f1043/invisible-strategies.png" data-mid="175705479" border="0"  src="https://freight.cargo.site/w/796/i/4f2647655c22cd3e3bb72f58e5ee57f680c2a180d4a76e33042f1957650f1043/invisible-strategies.png" /&#62;
&#60;img width="1556" height="1558" width_o="1556" height_o="1558" data-src="https://freight.cargo.site/t/original/i/987447908aaacaaa8eab196623ecacfc4485bdbb1f1f33338f23567d9d1cf6b8/acceptance.jpg" data-mid="175705478" border="0"  src="https://freight.cargo.site/w/1000/i/987447908aaacaaa8eab196623ecacfc4485bdbb1f1f33338f23567d9d1cf6b8/acceptance.jpg" /&#62;
&#60;img width="1480" height="980" width_o="1480" height_o="980" data-src="https://freight.cargo.site/t/original/i/228857aab84edacd2cb63dc488587acbbee66374191273f6c713dc6525c324d5/kiosk-57-2.jpg" data-mid="175705477" border="0"  src="https://freight.cargo.site/w/1000/i/228857aab84edacd2cb63dc488587acbbee66374191273f6c713dc6525c324d5/kiosk-57-2.jpg" /&#62;
&#60;img width="1310" height="858" width_o="1310" height_o="858" data-src="https://freight.cargo.site/t/original/i/509ea2c5f2cb689ffaf1860f19ac691b28c1936e57da8fdfec46d2936b0648f7/kiosk-57.jpg" data-mid="175705476" border="0"  src="https://freight.cargo.site/w/1000/i/509ea2c5f2cb689ffaf1860f19ac691b28c1936e57da8fdfec46d2936b0648f7/kiosk-57.jpg" /&#62;
2017
︎&#38;nbsp;Shade Literary Arts&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Spotlight Issue: Seed&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one poem, author interview
&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Acceptance”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Emerging poet”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp;︎&#38;nbsp;Kiosk &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 57&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Entitlement” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Title VII Does Not Protect, Either Way, I Still Have to Walk&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Home”
︎ The University of Kansas&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
The London Review&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
one essay, one poem, two reviews

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Last Letter to the Thames”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Not Yet Fallen”
 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; “Wolkenbugel” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
The Design Museum, “Imagine Moscow
 Architecture, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
 Revolution, Propoganda”
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “Writing Invisible Strategeies” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Modern Art Oxford, “Lubaina Himid: Invisible Strategies”&#38;nbsp;



&#60;img width="1103" height="1456" width_o="1103" height_o="1456" data-src="https://freight.cargo.site/t/original/i/76d593f99b522768fd607dcda8128b0c637f5458192c414c11efbf41c439f631/IMG_1030.jpg" data-mid="175705483" border="0"  src="https://freight.cargo.site/w/1000/i/76d593f99b522768fd607dcda8128b0c637f5458192c414c11efbf41c439f631/IMG_1030.jpg" /&#62;
&#60;img width="1125" height="1394" width_o="1125" height_o="1394" data-src="https://freight.cargo.site/t/original/i/227532a6a362df5431bd34818312f9ef039a5f1af8743e32cf8aecfb97e5da06/IMG_1024.jpg" data-mid="175705482" border="0"  src="https://freight.cargo.site/w/1000/i/227532a6a362df5431bd34818312f9ef039a5f1af8743e32cf8aecfb97e5da06/IMG_1024.jpg" /&#62;
&#60;img width="2150" height="2867" width_o="2150" height_o="2867" data-src="https://freight.cargo.site/t/original/i/265f8071e18aa5dbd6cf101c4ae9e9171cce86399d05acc91feb4ed3421224f3/wyf.jpg" data-mid="175705485" border="0"  src="https://freight.cargo.site/w/1000/i/265f8071e18aa5dbd6cf101c4ae9e9171cce86399d05acc91feb4ed3421224f3/wyf.jpg" /&#62;

2016
︎ Kiosk &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Issue 55&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
two poems&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“Bubblegum”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“Where Are You From?”︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎

*&#38;nbsp; from FITS: a biomythography^ Finalist for the 2022 INDIES Book of the Year Award for Anthologies
</description>
		
	</item>
		
		
	<item>
		<title>film &#38; media</title>
				
		<link>https://atakpa.cargo.site/film-media</link>

		<pubDate>Mon, 17 Apr 2023 00:31:54 +0000</pubDate>

		<dc:creator>rae ⊙</dc:creator>

		<guid isPermaLink="true">https://atakpa.cargo.site/film-media</guid>

		<description>&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/a09c99f3181702f1e53e6acf0f9f4f4759eca7abeb30c78b1311b3a8aabe1dfd/atakpa---the-fugitive-griot.jpeg" data-mid="221105147" border="0"  src="https://freight.cargo.site/w/1000/i/a09c99f3181702f1e53e6acf0f9f4f4759eca7abeb30c78b1311b3a8aabe1dfd/atakpa---the-fugitive-griot.jpeg" /&#62;


Cosmogram 0 (2024)
ATAKPA and The Fugitive Griot
 KCAI Artspace “Material World” 19 September - 09 November“...a collaborative cosmological initiation rite with syncretic roots in West African and fugitive Black cosmologies, spiritual traditions, and liberation practices...”


&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/603fea3387ba9e233000c9da6290e11c29792fe5d67d93534c01a6d87b032fa3/Screen-Shot-2023-08-23-at-1.10.20-PM.png" data-mid="188722373" border="0"  src="https://freight.cargo.site/w/1000/i/603fea3387ba9e233000c9da6290e11c29792fe5d67d93534c01a6d87b032fa3/Screen-Shot-2023-08-23-at-1.10.20-PM.png" /&#62;Asemic Writing: an experimental poetics (2023)“...a poiesis that honors the methodologies, memories, ideas, and symbols that comprise our lived experiences, affirms our artistic intution, and uplifts imagination and relationality as potent sources...”Learn more.

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b394441a7e024285e612404e31cce6d481a1a9e269a5fc725fbbfdf4cca6d70e/Ephemeral-ecologies-2.jpeg" data-mid="202384089" border="0"  src="https://freight.cargo.site/w/1000/i/b394441a7e024285e612404e31cce6d481a1a9e269a5fc725fbbfdf4cca6d70e/Ephemeral-ecologies-2.jpeg" /&#62;
&#60;img width="2963" height="3415" width_o="2963" height_o="3415" data-src="https://freight.cargo.site/t/original/i/62d49ec10ca3027c25f2180a10416a639557d08b1578c7cb68d0cf62bfe26929/Ephemeral-ecologies-1.jpeg" data-mid="202384087" border="0"  src="https://freight.cargo.site/w/1000/i/62d49ec10ca3027c25f2180a10416a639557d08b1578c7cb68d0cf62bfe26929/Ephemeral-ecologies-1.jpeg" /&#62;


Ephemeral Ecologies
Lawrence Arts Center, 2023, June-AugustBurlap, cotton fabric, raspberries, turmeric, spinach, coffee“Over the course of ten weeks, Liberty Memorial Central Middle School seventh-grade students studied poetry and visual mark-making with artist Rae Atakpa to create a collaborative textile inspired by the AIDS Memorial quilt and Freedom Quilts of the American South.”

&#60;img width="1588" height="1798" width_o="1588" height_o="1798" data-src="https://freight.cargo.site/t/original/i/e1b3c947cd03e41d9edf2366799927c4a79f112a4ae85e38b15a07657c70e25f/HH23-photo.png" data-mid="188723412" border="0"  src="https://freight.cargo.site/w/1000/i/e1b3c947cd03e41d9edf2366799927c4a79f112a4ae85e38b15a07657c70e25f/HH23-photo.png" /&#62;
Hellinsia homodactyla (2023)
Hex keys, low voltage copper wire, journal wire, wire hanger“...there is hardware 
(industry, automation, mechanics)
dowsing rod / wishbone, plastic kin

conducting chemicals. eye, colored

woman (cyborg), remove my IUD

				
			
			
				
					
six weeks before Roe v. Wade is overturned...”

				
			
		
	

&#60;img width="674" height="822" width_o="674" height_o="822" data-src="https://freight.cargo.site/t/original/i/ed950ef83facc55e8e9f9312524203819e830e5f431397d26a3554ef264b99ee/Screen-Shot-2023-05-04-at-6.20.28-PM.png" data-mid="177718490" border="0"  src="https://freight.cargo.site/w/674/i/ed950ef83facc55e8e9f9312524203819e830e5f431397d26a3554ef264b99ee/Screen-Shot-2023-05-04-at-6.20.28-PM.png" /&#62;the parable (2023)Thank you Octavia Butler, Dr. Tanya Washington, and Kaw River.

Seeds in order of appearance: 
Eryngium leavenworthii, Chasmanthium latifolium, Monarda fistulosa
&#60;img width="578" height="458" width_o="578" height_o="458" data-src="https://freight.cargo.site/t/original/i/b42cff366b055a1cdb1c15b6740ee2b985be474d266051a486f40e23d5c1d9cd/3rdeyemsk.png" data-mid="188723970" border="0"  src="https://freight.cargo.site/w/578/i/b42cff366b055a1cdb1c15b6740ee2b985be474d266051a486f40e23d5c1d9cd/3rdeyemsk.png" /&#62;
3RD EYE MSK (2022)

Lentils, split peas, black-eye peas, amethyst, embroidery floss, fleece
“The weight and potentiality of legumes, the conductive ward of amythest, and the unifying stitch of embroidery channel the divinity and transcendence of ancestral dreaming. Holistically, the mask object implicates protection and rest within/despite racial-capitalist exploitation ...”&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/9955116c3ca8447f772eab965f6367e0186332b38d226641eb293f9cda38092c/body-inventory.png" data-mid="175780237" border="0"  src="https://freight.cargo.site/w/1000/i/9955116c3ca8447f772eab965f6367e0186332b38d226641eb293f9cda38092c/body-inventory.png" /&#62;scription&#38;nbsp;(2019)
Built-in webcam footage, 00:01:05
“...in their attempts to defy our watch, and collapse
the nonexistent boundary between public and private,
they are often witnessed...”Included and accompanied by poem in FITS: a biomythography.




&#60;img width="2030" height="1060" width_o="2030" height_o="1060" data-src="https://freight.cargo.site/t/original/i/943a4d7815d49a038a3f0b309c3f127bc80e0d7f2b08fa6e4ef2043632770c8b/dishes-igbo.png" data-mid="175780501" border="0"  src="https://freight.cargo.site/w/1000/i/943a4d7815d49a038a3f0b309c3f127bc80e0d7f2b08fa6e4ef2043632770c8b/dishes-igbo.png" /&#62;Igbo Landing (2019)
Video ritual, 00:08:32


	
		
		
	
	
		
			
				
					“...it is pouring rain and i am barefoot. i run over and over again for an hour.
the cornfield is swampy, i slip and step in sow thistle.i think, in my long dress, about how this running felt two centuries ago...”Included and accompanied by poem in FITS: a biomythography.

				
			
		
	


 

&#60;img width="2304" height="1166" width_o="2304" height_o="1166" data-src="https://freight.cargo.site/t/original/i/d301d8b387ced517c21eaa35daaf4ffe55d81e4068b548a4e10aebca6482140a/Screen-Shot-2023-04-18-at-10.21.19-AM.png" data-mid="175787777" border="0"  src="https://freight.cargo.site/w/1000/i/d301d8b387ced517c21eaa35daaf4ffe55d81e4068b548a4e10aebca6482140a/Screen-Shot-2023-04-18-at-10.21.19-AM.png" /&#62;

	q.doc trailer (2018)
Documentary, 00:08:17
archival footage of midwestern queers and a mundane winter—
on being a living self at the end of the world.



&#60;img width="830" height="1528" width_o="830" height_o="1528" data-src="https://freight.cargo.site/t/original/i/9f5124db64828882c44569c15ee546a362425b774a9ccf382a807fe6833f4d1a/Screen-Shot-2023-04-27-at-1.05.57-PM.png" data-mid="176927470" border="0"  src="https://freight.cargo.site/w/830/i/9f5124db64828882c44569c15ee546a362425b774a9ccf382a807fe6833f4d1a/Screen-Shot-2023-04-27-at-1.05.57-PM.png" /&#62;


echoeeeeeee (2018-2019)
Digital performance, 157 images and captions&#38;nbsp;

longform, transtemporal poem,an ode to finsta and feral internet kids

Queer as Politic (2018)The Table Podcast“We talk about the madness of March, queer as a politic, what we love about being black and the joy we get to share in this space!”</description>
		
	</item>
		
		
	<item>
		<title>events</title>
				
		<link>https://atakpa.cargo.site/events</link>

		<pubDate>Mon, 17 Apr 2023 00:31:55 +0000</pubDate>

		<dc:creator>rae ⊙</dc:creator>

		<guid isPermaLink="true">https://atakpa.cargo.site/events</guid>

		<description>
&#60;img width="1150" height="1662" width_o="1150" height_o="1662" data-src="https://freight.cargo.site/t/original/i/dd111acffbc0d7ccdf4fbfe9d53ed1813d7d0e27a67317b837de7dc2a4067a58/Screenshot-2024-11-03-at-4.18.55PM.png" data-mid="221105275" border="0"  src="https://freight.cargo.site/w/1000/i/dd111acffbc0d7ccdf4fbfe9d53ed1813d7d0e27a67317b837de7dc2a4067a58/Screenshot-2024-11-03-at-4.18.55PM.png" /&#62;

KCAI Artspace, Material World
19 September - 09 November 2024

The Noon Thing panel “On Spirit” with Dora Agbas, rachel j. atakpa, and the Fugutive Griot; moderated by Hadley Clark 
11 October 2024
&#60;img width="1125" height="1715" width_o="1125" height_o="1715" data-src="https://freight.cargo.site/t/original/i/3ad55957e11b35c2cff17514f998f589a6b7eb38abcbd2bbabb4dc8e79531fa6/IMG_9103.jpg" data-mid="209261274" border="0"  src="https://freight.cargo.site/w/1000/i/3ad55957e11b35c2cff17514f998f589a6b7eb38abcbd2bbabb4dc8e79531fa6/IMG_9103.jpg" /&#62;
Charlotte Street Foundation Open Studios
27 April 2024, 3PM-10PM; Writers Read at 5PM


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A Nation in Exile presents: Heartwood Narratives
08 February 2024, 5PM-8PM
21C Museum Hotel


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Transas City!
07 February 2024, 5PM-7PM
Turnsol Books

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Black Being
10 November 2023 - 06 January 2024

Charlotte Street Foundation
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The Past Present and Future of Queer and Trans Zine Culture
Paper Plains Zine Fest panel
02 September 2023, 8:30PM-9:30PM
Lawrence Arts Center


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Art Writing Symposium
24 June 2023, 2PM-4PM
Charlotte Street Stern Theater

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Antidote Launch Party
17 June 2023, 7PM-12PM
Blaqout KC


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03 June 2023, 11AM-5PM
Zine Con #8
Goofball Skate Park

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28 May 2021, 7:30PM-9:30PM
WMN Zine Book Launch Party
The Rosemont Brooklyn

 
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29 April 2023, 5PM&#38;nbsp;
A Night for Climate Justice 
He[ART]land KC at Kansas City Young Audiences

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29 April 2023, 3-10PM
Open Studios
Charlotte Street Foundation</description>
		
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	<item>
		<title>FITS</title>
				
		<link>https://atakpa.cargo.site/FITS</link>

		<pubDate>Mon, 17 Apr 2023 00:31:55 +0000</pubDate>

		<dc:creator>rae ⊙</dc:creator>

		<guid isPermaLink="true">https://atakpa.cargo.site/FITS</guid>

		<description>
	
	

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FITS: a biomythography
7” x 7” 39pgS-P @ Asringent Press, 2023.Write rae via email to receive a copy.Recipient of the Poetry Society of America’s 
Anna Rabinowitz AwardFarid Matuk on FITS“Eager to inhabit simultaneous registers, it’s right that this photographic and textual work should begin with a catalog of the distinct semantic baggage the word “fits” can carry. In word and in saturated, layered photographs, Fits orchestrates tender tremors and finds room for them in moments as quotidian and intimate as taking out the trash or releasing a bug trapped behind one’s glasses. Sometimes revisiting memory through the shared gaze of sisters, these poems are always susceptible to a present tense relation to land and place that achieves nothing less than an anointing. In this blessing, the middle land of this continent becomes a kind of sibling in witness. But there’s no distance here that would organize the world into observer and obseved. 
These poems witness by staying attuned to electromagnetic impulses and pathways coursing intimately under signification, deeper inside at the register of what Hortense Spillers taught us to think of as flesh. atakpa follows these pulses threading through and out of the body toward topography and its geologic archive to inhabit any point along this involute spiral as nest, vantage and point of gathering.”&#38;nbsp;</description>
		
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